Using Light to Define The Viewer’s Perception
This shoot was arranged to benefit Rebecca, our model, and also Keli, the rather unassuming and very talented makeup artist.
This shoot was arranged to benefit Rebecca, our model, and also Keli, the rather unassuming and very talented makeup artist.
All wedding venues have good and bad points. Some make you work harder as photographer, whilst others can cause you to become complacent. The Holiday Inn in Bolton is a venue that makes a photographer earn his money.
I find it interesting how ideas can evolve. This image, for example, was a bit of a throw-away idea for the Northern String Quartet. A bit of something and nothing for their facebook page.
This is an image from last year that seemed to have all the right ingredients, but just fell flat on the light test. The background was just far too dark to have any kind of detail in the hedges or bushes. If I opened it up for the bushes, the sky instantly blew out, and I lost any kind of atmosphere from the setting
I have to say, I do enjoy photographing vehicles. Automotive photography in all its forms, and not necessarily the fastest, sleekest sports cars either. I just like creating the best image I can for my client. My client? Actually, on this occasion, my client is a marketing company, Moo Creations. They gave me an interesting, if very short brief. “We have a client who
The Fisherman’s Retreat is an amazing opportunity for any bride and groom when it comes to their wedding photography. The interior is amazing, and the staff are second to none. We’ve all seen the usual imagery from the Fisherman’s retreat and that superb wall of glass in the ceremony room. And those views! However, once we have those images for our brides, we
This was a bit of fun. Something to prove I don’t just “work” and I have a real life outside the studio, or something like that. A horror cosplay shoot organised by the wonderful Hazel Riddle, friend, photographer and a general tormentor.
My brother lives in Germany and has done so since the 90s. Due to work and pretty much everything else, this was the first time I’d seen him in three years. Consequently, when he asked me to photograph his motorbike, I, of course, said yes.
Lets talk budget stuff. One speedlight. What can we do with one speedlight? Well, in this instance, we used it to create a nice directional light which defined the texture and shape of the dress.
This was photographed as part of a product portfolio for an equestrian equipment supplier, Saddles Direct in Burnley.