We tend to settle into fairly stable, long term relationships with our equipment. Light modifiers being no exception. I still have some modifiers from over ten years ago, and they’re fine for what they’re used for. But now and again, some small incident makes you reassess your gear, or forces you to replace it.
So, we are in the middle of CorVid-19 lockdown. The kids are running riot, and I’m all out of duct tape. The wallpaper hasn’t changed in the last hour, and my slippers are wearing thin from all the pacing up and down. Talking of wearing thin, my Mrs.’ patience is pretty much getting the same way due to the aforementioned pacing and grinding of teeth.
Meet Mr. Snowden. Jonny Snowden. All round good guy and thoroughly upstanding chap, but a rather reluctant model. I had offered to photograph his bike, but failed to mention I wanted to put his bike in context with him.
Car photography is a real passion of mine. Okay, so I’m a sucker for automotive photography of any description. And yes, I know I have said I really enjoy the big stuff, such as lorries or truck, and buses for that matter. But take a lovingly restored classic, where the attention to detail is something to be marvelled at, and that makes for a really enjoyable shoot.
Lanzet are a bespoke kitchen design and manufacturer, based in Preston. I was asked to provide updated images for their website and brochure etc., with the emphasis to be on the quality of their work, and craftsmanship.
CP Davidson are based in Chorley, and build custom lorry back ends, such as the skip hook adaptation pictured above. Therefore, the photography needed to concentrate on their work (The adaptation) rather than the cab. Obviously, the cab is the pretty bit, but the hook assembly is what they do, and what they sell.
The Flash Centre are hosting two Cosplayer Photography workshops with myself, on Saturday the 20th of July at their London premises. Places are limited, and on a first come, first served basis. The morning session can be booked via Eventbrite here The afternoon session can be booked via Eventbrite here. Learn how to master ambient light and flash to shoot cinematic cosplay portraits, with lighting
Whilst the above image may well look like a studio shot, it’s actually one from a competition event held at Blackpool Winter Gardens. This was the Europeans annual competition, and I was there with Helen, of Helen Rose Photography.
I do enjoy photographing food. And photographing really good food is something else! This is the Cherry Tree at Blackrod. An outstanding venue with food to match. The colour and texture gives me plenty to work with, and it’s these two attributes I want to get across.
Cosplayers. Definitely a unique type of client, and not because of the costumes. They tend to have quite a special outlook on life in general. They give up an awful lot of their time for charity causes, and quite frankly, they all seem to be a little bonkers! And it’s this last trait that I love the most.