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Simple Product Setup Using Two Speedlights

So, we are in the middle of CorVid-19 lockdown. The kids are running riot, and I’m all out of duct tape. The wallpaper hasn’t changed in the last hour, and my slippers are wearing thin from all the pacing up and down. Talking of wearing thin, my Mrs.’ patience is pretty much getting the same way due to the aforementioned pacing and grinding of teeth.

Simple Product Setup Using Two Speedlights2020-10-19T17:21:59+01:00

Black and Light

As a commercial photographer, I often find I’m switching backgrounds at a fair rate of knots. White, black and grey being the usual suspects. Not really an issue with most things, but anything that needs to be wall mounted is definitely a challenge.

Black and Light2020-10-19T17:22:33+01:00

Small Things!

This was an interesting project. Very small, highly detailed and meticulously painted miniatures from the Games Workshop range. The images were to be used to promote the painting and build skills, and showing the detail was paramount.

Small Things!2020-10-19T17:22:34+01:00

Appealing High Resolution Product Images

In a previous post, I discussed the problems of triggering studio flash when using the E-M1 mkII in HiRes mode, and the fact the Elinchrom HS trigger actually worked fine. This image is part of the high resolution portfolio for a client, and the reason I needed to find a solution to the issue of non firing studio heads.

Appealing High Resolution Product Images2020-10-19T17:22:34+01:00

Product Photography on White

  Yes, a product shot on white. I think this type of shot is possibly the bane of any photographer’s life. There’s no allowance for creativity, and clients ask for it because they see it on their competitors website. And of course, there’s the fact that a number of the large e-commerce sites demand white backgrounds. We could do so much more for the product,

Product Photography on White2020-10-19T17:22:36+01:00

Product Photography – Perspex Signs

  As products go, these signs had their own set of challenges. The main thing I wanted to preserve, was the three dimensional nature and depth of the acrylic. The numbering was quite pronounced within the plastic, and I wanted to make sure that was obvious to the viewer. What I didn’t want, was any glare or flaring caused by the highly polished perspex.

Product Photography – Perspex Signs2020-10-19T17:22:37+01:00
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