Food Photography For The Lavender Hotel Group Whenever I'm asked to review a piece of equipment, whether it's lights, cameras or lenses etc, I tend to use the equipment in real world scenarios first. That basically translates as client shoots, because I find it gives me a wider experience of the equipment, rather than “This is what it is, and these are the specs”. I
Review Phottix Raja Deep 80cm Hexa This is not your bog standard, use every day kinda box. And it was certainly not bought with the intention of using it for all and sundry. No, I had a very distinct idea as to how and when I would use this box, which I will come to later. If you own any of the Phottix Raja range
Using The OM SYSTEM Cameras For Automotive Photography I have used many camera systems over the years, for various aspects of my work, including food, automotive, property and products etc.. Starting with film cameras such as Fujica, Contax and Nikon, before stubbing a tentative toe into the realm of digital cameras. The impact of digital on the commercial photography world still holds surprises, which I
Why Use The OM SYSTEM Cameras For Food Photography? But before we get into that, there's probably a few things I need to make clear. Yes, I'm an OM SYSTEM Ambassador. No, I don't use the OM camera system because I'm an Ambassador. I was asked to become an Ambassador because I use the cameras. (Actually, I was asked way back in 2017 when it was
Meet Mr. Snowden. Jonny Snowden. All round good guy and thoroughly upstanding chap, but a rather reluctant model. I had offered to photograph his bike, but failed to mention I wanted to put his bike in context with him.
Classic car photography is a real passion of mine. Okay, so I’m a sucker for automotive photography of any description. And yes, I know I have said I really enjoy the big stuff, such as lorries or truck, and buses for that matter. But take a lovingly restored classic, where the attention to detail is something to be marvelled at, and that makes for a
CP Davidson are based in Chorley, and build custom lorry back ends, such as the skip hook adaptation pictured above. Therefore, the photography needed to concentrate on their work (The adaptation) rather than the cab. Obviously, the cab is the pretty bit, but the hook assembly is what they do, and what they sell.
Whilst the above image may well look like a studio shot, it’s actually one from a competition event held at Blackpool Winter Gardens. This was the Europeans annual competition, and I was there with Helen, of Helen Rose Photography.
I do enjoy photographing food. And photographing really good food is something else! This is the Cherry Tree at Blackrod. An outstanding venue with food to match. The colour and texture gives me plenty to work with, and it’s these two attributes I want to get across.
Cosplayers. Definitely a unique type of client, and not because of the costumes. They tend to have quite a special outlook on life in general. They give up an awful lot of their time for charity causes, and quite frankly, they all seem to be a little bonkers! And it’s this last trait that I love the most.
