The bride at this wedding didn’t want the usual bridal prep as she was a little camera shy (although she threw herself into the later photo opportunities with some gusto, and rightly so, as she was a beautiful bride). Hmmmm, a wedding album without bridal prep shots. Not something I felt comfortable with, as I felt the album would be incomplete. I certainly wasn’t about
Occasionally, I find myself at a venue with reduced options for my bride and groom portraits. One such venue is the Shireburn Arms at Hurst Green. It’s a great hotel, with extremely helpful staff, but rather small gardens at the rear. It’s basically a narrow strip of grass and small trees that runs alongside their patio. Well, you just have to utilise what you have
With her room on the ground floor, Nicola spent quite some time spying on her fiancé (thanks to Jonathan Ryan for pointing out my faux pas!) and his friends prior to the wedding. I had initially thought to light her with a number of speedlights to help separate her from the background, but changed my mind.
Another overcast day, and a similar problem seen in the previous blog post. However, due to distances involved, and the fact I also wanted the dramatic sky to aid the image, I chose a different technique here. Whereas in the last post I mentioned judicial use of extra light to pop the image, this wasn’t really going to be an option here, and I was
The difference between a good image, and an image that really pops, is quite often down to the light, and how it’s been used. Here, the day was overcast, but the ambient light was fairly bright. The diffusion caused by the clouds caused the colours to look a little flat and detail to be lost in the dress and flowers. So, what was I going
In a follow up to Stuart Little’s blog entry regarding our meet on the 11th and 12th April, ( www.alittlephotoshop.com/friends/guess-who-popped-by-for-… ) I thought I’d post one of my shots from the very brief shooting session we had together (although I had no idea Stu was being sneaky behind my back, taking the “work in progress” shots!
The image above was set up, tested, shot and then dismantled, all within 15 minutes. The client is an Assistant Director of BNI (Business Networking International). It was taken early afternoon at the Bolton Wanderers Soccer stadium (The Reebok Stadium in Bolton) in a rather large room with the lights off, all ambient light coming from a wall of glass camera right (huge windows overlooking
At each wedding, I like to try and give the bride and groom an image that is unique to them and their venue, and this shot is a good example of that, and employs some basic strobist techniques I often use at weddings.
ok, what do we have here? Seeing as sunsets tend to be in short supply in the UK, I try and make the most of any sunset that coincides with an event I’m photographing, and last Saturday’s wedding was one such event.
I had a phone call from a good friend of mine, Renae. Due to a change of circumstances, she was having to move house and would be living on her own. Unfortunately, this meant her two dogs would be on their own for a major part of the day.
