Review – Olympus FL-900R

This review basically came about after a number of conversations I’ve had regarding my “run n gun” setup, which to date, was a Metz 64 AF-1. My original reason for choosing the Metz was the ability to use an external battery pack for reduced recycling times, whereas the current Olympus lineup have no external power option. It kinda came to a head when I did the review for the Quadralite Reporter 200 TTL (Godox AD200 variant), as I found the Reporter 200 to be far more consistent in TTL mode than my Metz. There was a brief conversation with a commenter onLighting Rumours, and it made me reassess my “run n gun” kit. Hence the Olympus FL-900R.

Review – Quadralite Reporter 200 (Godox AD200)

My location kit consists of high powered battery strobes. That said, I do tend to pack half a dozen speedlights for fill and the like, and it’s surprising what you can get out of a speedlight when needs must. Now, considering my location kit is “mature”, and does everything I need, it doesn’t stop me casting a sidelong glance at some of the gear that I see advertised online, such as the Quadralite Reporter 200 TTL and it’s various incarnations. This one came from Pixedo, [https://www.pixedo.com/en/] and arrived extremely quickly and well packed. What made me push the button after so long? Well, I’m an Olympus shooter, and the possibility of radio linked TTL was intriguing. The Reporter 200 is not system dependant, as it has no hotshoe. Instead, it receives it’s TTL instructions, or any communication, via a system dedicated transmitter, such as the Navigator X. Obviously, mine was for the Micro Four Thirds system.

Review – Elinchrom ELB 1200

I had the opportunity to use the ELB1200 ahead of it’s release at the start of September 2017, and it was something I’d been looking forward to since Elinchrom’s announcement earlier that year. My location kit comprises of 4x ELB400 with an action head and a HS head for each one. And I have to say, they are just superb. They’ve done everything I’ve asked of them and more. So whilst I was keen to road test the ELB1200, I did have that little nagging voice at the back of my mind, quietly whispering “What can it do, that the ELB400 can’t?” I brushed those thoughts aside with the obvious reply “Power!”, but is there more to it?

Review – Miops Mobile and Miops Dongle

My initial interest in this unit had nothing at all to do with studio work, or even lighting for that matter. It basically utilises your mobile as a wireless, feature rich remote release. There is some overlap with the Miops Smart, such as the HDR mode and timelapse mode, but with a slightly different approach. The unit is small. Well, it’s actually tiny.

Review – Miops Splash

The Miops range of triggers have become an integral part of my work kit. The Miops Smart is just a phenomenal accessory producing real creative opportunities with my commercial work, and the Miops Mobile & Dongle make life so much easier.

BTS Video – ELB1200 Review

  A brief video of the last part of the Elinchrom ELB1200 review, using the Pro head for High Sync.

Mcoplus LE-R320 Tubelight Review

The delivered box seemed much heavier than I had expected. Being LED, I had assumed it would have similar weight characteristics to the LED panels I had handled.

Review – Strobius StrobiStrip

Arriving in a tightly packed box, I had two identical, nylon cylindrical cases. One contained a 50cm Strobius StrobiStrip, whilst the second contained a 100cm model.

Review – Marsace MT-01 Tabletop Tripod

I’ve used tabletop tripods a great deal when younger, mostly for macro work. Later, I found my use of these small supports waned, mostly due to equipment getting heavier.

The Tides of Change

A funny thing happened on the way to the studio, or so the story begins. For some time my wife, along with a few close friends and employees, had basically nagged me senseless to look at purchasing a camera system that would be radically different to my work gear.

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