I’ve contemplated medium format for a good few years now. I disliked it in my film days, because it was just far too cumbersome. I possibly didn’t persevere for long enough, but should you really have to adapt yourself to become accustomed to a tool of the trade? I much prefer when a tool can adapt to my particular style of shooting, and meet my
This series of images were requested for a PR company that specialised in PR for companies dealing with interiors. The brief was rather vague, other than to get a variation of images, including details. The guidance would come from the builder and owner.
This was a rather nice shoot, and a bit of a reunion. Hannah is a violinist and tutor, and needed some imagery for her website which promotes her sessional work. I say a reunion, because I had photographed Hannah and her boyfriend a good few years ago, when they were members of Montego Bay.
Fashion photography can be a funny old thing. You meet with the client and they have a good grasp of what they want. They want the detail to show, and the quality to stand out. Great, that means they aren’t going to go for that full on flat lit look, so often seen on their competitors websites. Something to look forward to.
The food provided for the attendees at the Enterprise Visionary Awards is always something special. And this year, they didn’t disappoint.
I had the opportunity to photograph the rather beautiful Mercedes SLR McLaren at William Loughran, esteemed supplier of performance and luxury cars.
This was the second shoot with Hazel for her client, Kenanks in Burnley.
Meet Damien McGlade, photographer and a long time friend. Although he did scare the hell out of me when I first met him. But that’s another story.
Photographing large vehicles brings it’s own challenges. Photographing a group of four especially so.
This image is from a shoot whilst supporting Hazel Riddle during a food shoot for her client, Kenanks of Burnley.
