A quick lesson on personal health, and how it can effect your productivity when you believe you’re superhuman.
As a commercial photographer, I often find I’m switching backgrounds at a fair rate of knots. White, black and grey being the usual suspects. Not really an issue with most things, but anything that needs to be wall mounted is definitely a challenge.
This is a departure from my usual posts, as it’s not a lighting tutorial or a review of a piece of equipment. It is, however, of use to every Olympus shooter.
In a previous post, I discussed the problems of triggering studio flash when using the E-M1 mkII in HiRes mode, and the fact the Elinchrom HS trigger actually worked fine. This image is part of the high resolution portfolio for a client, and the reason I needed to find a solution to the issue of non firing studio heads.
I’ve often said all my photography is client driven. From food to vehicles, roomsets to fashion, products to bridal brochures, it was always to realise someone else’s vision. Which is great.
The above image is probably not that interesting. A quick conversion from a raw file, with the dust spots removed from the table top.
This shoot was arranged to benefit Rebecca, our model, and also Keli, the rather unassuming and very talented makeup artist.
A funny thing happened on the way to the studio, or so the story begins. For some time my wife, along with a few close friends and employees, had basically nagged me senseless to look at purchasing a camera system that would be radically different to my work gear.
Following on from the morning’s shoot of the rooms and exterior of the Port A Beach Lodge, I was to do a bridal brochure for the Lodge.