Following my experience with the Metz 64 AF-1, and it’s subsequent replacement after the Olympus FL-900R review, I wanted a cheap backup TTL speedlight. I took a look at the Quadralite Stroboss 60 EVO from Pixedo, and quite liked the listed spec and features. And here we are.
Mark, who owns the Emmott Arms, asked for a full range of images. This was to include food photography, and also interior and exterior images. He also wanted to include some staff imagery, although rather than headshots, he wanted lifestyle images that would reflect the character of the establishment.
The up front and honest bit : First of all, just so we are completely transparent, I’m an Elinchrom Ambassador. Secondly, I happen to be an Ambassador because I use Elinchrom, not the other way around. Obviously, there are some perks to this, such as having the opportunity to use and test the latest equipment before its public release. As I use four ELB400 units for my location work, the new ELB500 announced earlier this year is of particular interest to me. My four ELB400s are used most days, with a variety of subject matter, and in varied conditions. And whilst I was quite confident I’d have no issues using the ELB500 in place of an ELB400, I wondered how much real difference this new unit would make. After all, I’d been perfectly happy with my current setup for over two years. No issues, no dramas and certainly no disappointments. And considering my investment in those four units, how much advantage would the ELB500 bring, and would it put my ELB400 relationship at risk?
After I’d had a run of silver cars, I was rather grateful for a black Ferrari 308GT Spider to turn up in Preston, and in rather nice nick too. The brief was for exterior and detail imagery, and the weather was rather good. I really do enjoy my automotive, or car photography.
I use a lot of folding softboxes in various forms, and all in an effort to create a smaller, lighter location kit. I’ve got numerous larger folding Octas and the like, but wanted a smaller softbox for closer work. I’d purchased “no name third party” previously, only to be disappointed with the build quality and the fact it had no inner difuser. So when I renewed my search, I came across the Quadralite Litebox 50×50 folding softbox which was listed on the pixedo.com site.
Product photography doesn’t always need to be on white. On white images are required by a number of e-commerce platforms, such as Amazon, and unfortunately, many clients assume it’s the norm.
I enjoy all aspects of my work, but there are two genres I think are my favourite subjects to shoot. Vehicles and food. With automotive photography, I really enjoy the challenges of large vehicles such as lorries and buses or coaches etc. But I actually enjoy photographing any vehicle, from a truck, right down to a motorcycle, and anything in between.
This review basically came about after a number of conversations I’ve had regarding my “run n gun” setup, which to date, was a Metz 64 AF-1. My original reason for choosing the Metz was the ability to use an external battery pack for reduced recycling times, whereas the current Olympus lineup have no external power option. It kinda came to a head when I did the review for the Quadralite Reporter 200 TTL (Godox AD200 variant), as I found the Reporter 200 to be far more consistent in TTL mode than my Metz. There was a brief conversation with a commenter onLighting Rumours, and it made me reassess my “run n gun” kit. Hence the Olympus FL-900R.
My location kit consists of high powered battery strobes. That said, I do tend to pack half a dozen speedlights for fill and the like, and it’s surprising what you can get out of a speedlight when needs must. Now, considering my location kit is “mature”, and does everything I need, it doesn’t stop me casting a sidelong glance at some of the gear that I see advertised online, such as the Quadralite Reporter 200 TTL and it’s various incarnations. This one came from Pixedo, [https://www.pixedo.com/en/] and arrived extremely quickly and well packed. What made me push the button after so long? Well, I’m an Olympus shooter, and the possibility of radio linked TTL was intriguing. The Reporter 200 is not system dependant, as it has no hotshoe. Instead, it receives it’s TTL instructions, or any communication, via a system dedicated transmitter, such as the Navigator X. Obviously, mine was for the Micro Four Thirds system.
I’ve contemplated medium format for a good few years now. I disliked it in my film days, because it was just far too cumbersome. I possibly didn’t persevere for long enough, but should you really have to adapt yourself to become accustomed to a tool of the trade? I much prefer when a tool can adapt to my particular style of shooting, and meet my needs without unnecessary drama.