The Flash Centre are hosting two Cosplayer Photography workshops with myself, on Saturday the 20th of July at their London premises. Places are limited, and on a first come, first served basis. The morning session can be booked via Eventbrite here The afternoon session can be booked via Eventbrite here. Learn how to master ambient light and flash to shoot cinematic cosplay portraits, with lighting
Cosplayers. Definitely a unique type of client, and not because of the costumes. They tend to have quite a special outlook on life in general. They give up an awful lot of their time for charity causes, and quite frankly, they all seem to be a little bonkers! And it’s this last trait that I love the most.
Automotive photography is one of the genres I really do enjoy. I like the challenge of the convex glossy or metallic surfaces, the challenge of hiding and avoiding reflections. What also gets my pulse racing, is the opportunity to photograph unusual cars. Cars such as the Tesla. While it’s not particularly rare, you don’t see one in every third parking bay at Tesco!
The up front and honest bit : First of all, just so we are completely transparent, I’m an Elinchrom Ambassador. Secondly, I happen to be an Ambassador because I use Elinchrom, not the other way around. Obviously, there are some perks to this, such as having the opportunity to use and test the latest equipment before its public release. As I use four ELB400 units
I had the opportunity to use the ELB1200 ahead of it’s release at the start of September 2017, and it was something I’d been looking forward to since Elinchrom’s announcement earlier that year. My location kit comprises of 4x ELB400 with an action head and a HS head for each one. And I have to say, they are just superb. They’ve done everything I’ve asked
A brief video of the last part of the Elinchrom ELB1200 review, using the Pro head for High Sync.
Whilst I only had the ELB1200 Action and Pro head to play with, I fancied my chances with pushing the Pro head as far as I could with the Skyport HS transmitter.
I was lucky to be given early access to the Elinchrom ELB1200, and I wanted a number of shoots with various themes. Basically, to test the flexibility and capabilities of the unit.
As a commercial photographer, I often find I’m switching backgrounds at a fair rate of knots. White, black and grey being the usual suspects. Not really an issue with most things, but anything that needs to be wall mounted is definitely a challenge.
The above image is a composite of four images, suggested by my assistant Wayne. The original portraits were to be full length, in an environment conducive to an era when a string quartet would have been very much at home.