Lighting Tutorials, Reviews and More
Bride Arrival
Another overcast day, and a similar problem seen in the previous blog post. However, due to distances involved, and the fact I also wanted the dramatic sky to aid the image, I chose a different technique here. Whereas in the last post I mentioned judicial
Outdoor Bride and Groom Portrait
The difference between a good image, and an image that really pops, is quite often down to the light, and how it’s been used. Here, the day was overcast, but the ambient light was fairly bright. The diffusion caused by the clouds caused the colours
Outdoor Portrait
In a follow up to Stuart Little’s blog entry regarding our meet on the 11th and 12th April, ( www.alittlephotoshop.com/friends/guess-who-popped-by-for-… ) I thought I’d post one of my shots from the very brief shooting session we had together (although I had no idea Stu was
Corporate Head Shot
The image above was set up, tested, shot and then dismantled, all within 15 minutes. The client is an Assistant Director of BNI (Business Networking International). It was taken early afternoon at the Bolton Wanderers Soccer stadium (The Reebok Stadium in Bolton) in a rather
Bridal Portrait at Higher Trapp
At each wedding, I like to try and give the bride and groom an image that is unique to them and their venue, and this shot is a good example of that, and employs some basic strobist techniques I often use at weddings.
Wedding at Murrayshall House, Perth, Scotland
ok, what do we have here? Seeing as sunsets tend to be in short supply in the UK, I try and make the most of any sunset that coincides with an event I’m photographing, and last Saturday’s wedding was one such event.