ABOUT US

Our talented, creative team love what they do, love a challenge and love creating the perfect image.

Our boss, the man himself, Michael Sewell our Senior Photographer.
With 40 years experience in commercial and corporate photography, covering sports, weddings and events in between. Michael is known for his creativity and lighting skills, his attention to detail and patience for the perfect picture.

Michael is an Elinchrom Ambassador and also an Olympus Mentor.

Keeping everyone in line, Anne Sewell our Studio Manager and Business Development Manager is extremely well organised and very much a systems person. She has an eye for detail and often sees opportunities others miss.

“We needed strong editorial imagery for print and social media so Michael was the obvious choice. With minimal briefing he just ‘gets it’, knows what we need to achieve and delivers.”
Heidi Kettle, Group Marketing Manager, James' Places
“A very professional and friendly team. Great service, great product. Highly recommended.”
Roza Romanowska, Franchise Marketing Manager, Lloyd Motor Group
“I just wanted to let you know how delighted we are with the images you took. You’ve made everything look stunning and thank you so much for the really quick turnaround too. I am sure the images will inspire us all to use them in different ways to showcase the collection. I do hope we’ll be able to work with you again in the future.”
Rachel Terry, Curator, Gawthorpe Textiles Collection.

Automotive Photography, North West

The above image was conceived and shot for Ash Ellison, MD of Wrapped UK, who are based in Colne, Lancashire. The material is quite reflective, and posed a number of challenges.

How Restaurant Owners Use Food Photography

As many restaurant owners understand, the methodology of marketing to a target audience isn’t just driven by the business, it’s driven by their clients.

GFX and Renaissance Fruit

I wondered how the Fujifilm GFX 50s would deliver on a nice, low key food image, not too dissimilar to the renaissance era paintings we are familiar with. It really wouldn’t take an awful lot to light it, to be honest. Pretty much a single light, and a reflector.

Automotive Photography in Leyland

This was the first real outing for the Fujifilm GFX 50s, with quite a rare incarnation of the Aston Martin V8 Vantage N430. The GFX turned out to be the absolutely ideal camera for the automotive or car photographer. This image was taken in Worden Park in Leyland, Lancashire.

Wedding Photography at Samlesbury Hotel

Occasionally, I come across a venue where I feel I may have a bit of a challenge with regards as to where I may do the portrait session. The Samlesbury Hotel is one of those. There is a large car park, which basically surrounds the hotel. There is a field, which I’ve used before, but it wasn’t going to work this time, as this was a November wedding, and it was dark.

Review – Quadralite Stroboss 60 EVO

Following my experience with the Metz 64 AF-1, and it’s subsequent replacement after the Olympus FL-900R review, I wanted a cheap backup TTL speedlight. I took a look at the Quadralite Stroboss 60 EVO from Pixedo, and quite liked the listed spec and features. And here we are.